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	<title>PRASHANTT RAI cinematographer &#187; Thoughts</title>
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		<title>&#8217;11 Weeks&#8217; &#8211; the film shoot. Part-1</title>
		<link>http://www.storyinframes.com/archives/2008/12/29/11-weeks-the-film-shoot-part-1/</link>
		<comments>http://www.storyinframes.com/archives/2008/12/29/11-weeks-the-film-shoot-part-1/#comments</comments>
		<pubDate>Sun, 28 Dec 2008 22:44:56 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[Arri 435]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Director of Photography]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[Kashmir]]></category>
		<category><![CDATA[Kodak vision 2 - 5218, 5205]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Location scouting]]></category>
		<category><![CDATA[Memoir, travelogue]]></category>
		<category><![CDATA[Pakistan]]></category>
		<category><![CDATA[Panavision Platinum]]></category>
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		<category><![CDATA[Srinagar]]></category>
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		<category><![CDATA[Dipesh Jain]]></category>
		<category><![CDATA[direction]]></category>
		<category><![CDATA[Eric Bergman]]></category>
		<category><![CDATA[Film shoot in Kashmir]]></category>
		<category><![CDATA[Jammu and Kashmir]]></category>
		<category><![CDATA[Kodak]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[Mumbai]]></category>
		<category><![CDATA[Prashant Rai]]></category>
		<category><![CDATA[Sloan Foundation]]></category>
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		<category><![CDATA[writing on filmmaking]]></category>

		<guid isPermaLink="false">http://storyinframes.wordpress.com/?p=155</guid>
		<description><![CDATA[<p>Srinagar greeted with a dry autumn and deserted streets. The tourists who thronged the markets and shikaras a few months back were missing. As a photographer I felt like the streets, the landscape too was barren, with a veneer of gritty yellowy dust all over compared to the lush greens three months back.</p> <p>to read [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family:&quot;"><span style="font-size:small;">Srinagar greeted with a dry autumn and deserted streets. The tourists who thronged the markets and <em>shikaras a few months back</em> were missing. As a photographer I felt like the streets, the landscape too was barren, with a veneer of gritty yellowy dust all over compared to the lush greens three months back.</span></span></p>
<p><span style="font-family:&quot;"><span style="font-size:small;"><em>to read more click on the page &#8211; <strong>&#8217;11 Weeks&#8217; &#8211; the film shoot. Part-1</strong></em></span></span></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Monsoons and the sea.</title>
		<link>http://www.storyinframes.com/archives/2008/07/27/112/</link>
		<comments>http://www.storyinframes.com/archives/2008/07/27/112/#comments</comments>
		<pubDate>Sat, 26 Jul 2008 20:54:08 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[cinematography]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Visual aesthetics]]></category>
		<category><![CDATA[Black and white photography]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[sea]]></category>
		<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://storyinframes.wordpress.com/?p=112</guid>
		<description><![CDATA[<p></p> <p>These pictures were taken during monsoons in 2003. the cloud patterns often cast interesting lighting patterns over the sea. It is a pity that most negatives were spoiled after manual processing. these are the four which have survived. </p> [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://PostURL"></a><a href="http://PostURL"><img class="alignnone size-thumbnail wp-image-110" src="http://storyinframes.files.wordpress.com/2008/07/harbour2.jpg?w=128" alt="" width="128" height="56" /></a><a href="http://PostURL"><img class="alignnone size-thumbnail wp-image-117" src="http://storyinframes.files.wordpress.com/2008/07/aaa018-copy.jpg?w=128" alt="" width="128" height="71" /></a><a href="http://PostURL"><img class="alignnone size-thumbnail wp-image-109" src="http://storyinframes.files.wordpress.com/2008/07/harbour1.jpg?w=128" alt="" width="128" height="59" /></a><a href="http://PostURL"><img class="alignnone size-thumbnail wp-image-108" src="http://storyinframes.files.wordpress.com/2008/07/harbour4.jpg?w=64" alt="" width="64" height="96" /></a></p>
<p>These pictures were taken during monsoons in 2003. the cloud patterns often cast interesting lighting patterns over the sea. It is a pity that most negatives were spoiled after manual processing. these are the four which have survived. <img src='http://www.storyinframes.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
]]></content:encoded>
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		<item>
		<title>the pheromone scent trail</title>
		<link>http://www.storyinframes.com/archives/2008/06/23/the-pheromone-scent-trail/</link>
		<comments>http://www.storyinframes.com/archives/2008/06/23/the-pheromone-scent-trail/#comments</comments>
		<pubDate>Mon, 23 Jun 2008 15:06:32 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[europe]]></category>
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		<category><![CDATA[Memoir, travelogue]]></category>
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		<category><![CDATA[pictures]]></category>
		<category><![CDATA[Road]]></category>
		<category><![CDATA[Road stories]]></category>
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		<category><![CDATA[Humor]]></category>
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		<guid isPermaLink="false">http://storyinframes.wordpress.com/?p=55</guid>
		<description><![CDATA[The woman eventually got up to go to the washroom. When she passed me, I saw the fat man had ample reason for vicarious enjoyment. She wore a suffocating tight pair of tiger skin leotards. A thong parted her generous hips. Her tank top ended provocatively short of her navel, and she swayed awkwardly, her baby tucked carelessly under an arm. The fat man loved the exhilarating parade, couldn’t control himself. The moment she disappeared into the washroom, he clapped and laughed gutturally, tears rolling down his lecherous cheeks. He cupped both hands into a hollow and looked at me meaningfully, hinting at a pair of something. What something? A pair of eyes, ears, tits, or cheeks? What? Cheeks, he clarified later. [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size:small;">the journey due south</span></p>
<p> </p>
<p><span style="font-size:small;">The woman eventually got up to go to the washroom. When she passed me, I saw the fat man had ample reason for vicarious enjoyment. She wore a suffocating tight pair of tiger skin leotards. A thong parted her generous hips. Her tank top ended provocatively short of her navel, and she swayed awkwardly, her baby tucked carelessly under an arm. The fat man loved the exhilarating parade, couldn’t control himself. The moment she disappeared into the washroom, he clapped and laughed gutturally, tears rolling down his lecherous cheeks. He cupped both hands into a hollow and looked at me meaningfully, hinting at a pair of something. What something? A pair of eyes, ears, tits, or cheeks? What? Cheeks, he clarified later.</span></p>
<p><span style="font-size:small;">read more at <em>the pheromone scent trail</em> page</span></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Kashmir location reccee &#8211; &#8220;11 Weeks&#8221;</title>
		<link>http://www.storyinframes.com/archives/2008/06/16/kashmir-location-reccee-11-weeks/</link>
		<comments>http://www.storyinframes.com/archives/2008/06/16/kashmir-location-reccee-11-weeks/#comments</comments>
		<pubDate>Mon, 16 Jun 2008 16:23:25 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Director of Photography]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Location scouting]]></category>
		<category><![CDATA[Memoir, travelogue]]></category>
		<category><![CDATA[Panavision Platinum]]></category>
		<category><![CDATA[Road]]></category>
		<category><![CDATA[Road stories]]></category>
		<category><![CDATA[Srinagar, Kashmir]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[Travel stories]]></category>
		<category><![CDATA[Visual aesthetics]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[11 Weeks]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Kashmir]]></category>
		<category><![CDATA[location reccee]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://storyinframes.wordpress.com/?p=36</guid>
		<description><![CDATA[Driving to Srinagar is an exhilarating experience. Provided you are ready to face the minor hardships Indian road-trips impose upon you. To enter the valley of Kashmir one has to scale the rugged mountains which encircle the valley from all sides. The Banihal pass is an engineering marvel built by the British. It is a long tunnel and unlike the modern day tunnels on Mumbai-Pune expressway which are spacious and well lit, this one makes you feel claustrophobic. As you reach the end of the tunnel, the eyes which have quickly accustomed to the long drive through the darkness suddenly find the light at the end of the tunnel bright and dazzling. In a metaphorical way I can say the light is divine as it ushers you in the valley – the paradise on earth. [...]]]></description>
			<content:encoded><![CDATA[<div class="post-body entry-content"><a href="http://bp2.blogger.com/_QwJYvf-cfI4/SFaQQRONlTI/AAAAAAAAAEE/_2LIsDgcvc8/s1600-h/kashmir+reccee+101+copy.jpg"><img style="float:left;cursor:hand;margin:0 10px 10px 0;" src="http://bp2.blogger.com/_QwJYvf-cfI4/SFaQQRONlTI/AAAAAAAAAEE/_2LIsDgcvc8/s200/kashmir+reccee+101+copy.jpg" border="0" alt="" /></a></div>
<p> </p>
<div><a href="http://bp2.blogger.com/_QwJYvf-cfI4/SFaPHfudkEI/AAAAAAAAAD0/IS2ooyj8Ilo/s1600-h/kashmir+reccee+091+copy.jpg"><img style="cursor:hand;" src="http://bp2.blogger.com/_QwJYvf-cfI4/SFaPHfudkEI/AAAAAAAAAD0/IS2ooyj8Ilo/s320/kashmir+reccee+091+copy.jpg" border="0" alt="" /></a></div>
<div>Kashmir Diary</div>
<p> As twilight approached the scene became more intense – a dull bluish grey light engulfed the surrounding and there were small fires in many fields. Their smoke hung low in the air like a parasol. I took a seat on a milestone and watched for few minutes. There was something strange about this twilight – it just refused to go away and hung with me like a companion.</p>
<p>TO READ MORE, CLICK ON &#8216;KASHMIR LOCATION RECCEE &#8211; 11 WEEKS&#8217; PAGE.</p>
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		</item>
		<item>
		<title>filmmaking</title>
		<link>http://www.storyinframes.com/archives/2008/05/17/filmmaking/</link>
		<comments>http://www.storyinframes.com/archives/2008/05/17/filmmaking/#comments</comments>
		<pubDate>Sat, 17 May 2008 15:55:41 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[Anamorphics]]></category>
		<category><![CDATA[Arri SR 3]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Directing shorts]]></category>
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		<category><![CDATA[Humour]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Location scouting]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Travel stories]]></category>
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		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Arri SR3]]></category>
		<category><![CDATA[BARRANDOV STUDIO]]></category>
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		<category><![CDATA[Czech republic - Prague]]></category>
		<category><![CDATA[Czech Television]]></category>
		<category><![CDATA[DEVIL'S ADVOCAAT]]></category>
		<category><![CDATA[direction]]></category>
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		<category><![CDATA[short films]]></category>
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		<category><![CDATA[Viktor Schwarcz]]></category>

		<guid isPermaLink="false">http://storyinframes.wordpress.com/?p=30</guid>
		<description><![CDATA[I had written a lovely touching script called 'A night of redemption' to be my thesis film before i stumbled on 'Devil's Advocaat'. A night of redemption was a story of a prostitute who nourished a dream of finding real love and was set free by a man who didn't mean anything to her. [...]]]></description>
			<content:encoded><![CDATA[<h3 class="post-title entry-title"><a href="http://devilsadvocaat.blogspot.com/"></a></h3>
<h3 class="post-title entry-title">I held an audition in the school premises and was surprised at the response I got for “No Pay” roles that I offered. Many male Americans applied for the English speaking part of Devil and a mix of American and Czech girls applied for the role of Angel. I will skip the casting episode as of now because I did ruffle feathers of some seasoned American actors who did small significant parts whenever a major Hollywood production came to Prague&#8230;</h3>
<p class="post-title entry-title">TO READ MORE. CLICK ON THE &#8216;FILMMAKING&#8217; PAGE</p>
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		<item>
		<title>Cinematographers &amp; Visual Aesthetics</title>
		<link>http://www.storyinframes.com/archives/2008/05/15/cinematographers-visual-aesthetics/</link>
		<comments>http://www.storyinframes.com/archives/2008/05/15/cinematographers-visual-aesthetics/#comments</comments>
		<pubDate>Thu, 15 May 2008 09:46:39 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Director of Photography]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Visual aesthetics]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Arri SR3]]></category>
		<category><![CDATA[direction]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[notes on filmmaking]]></category>
		<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://storyinframes.wordpress.com/?p=22</guid>
		<description><![CDATA[Cin•e•ma•tog•ra•phy (sin’.m.tog’r.fē) n. The art and process of making motion pictures. Moving images are inspiring narrative, sometimes powerful, sometimes emotive, sometimes still and sometimes drab, colourful and pleasing, grey and sober. They convey umpteen emotions rapidly changing and altering its form and carrying the audience with it to the desired destination or conclusion. [...]]]></description>
			<content:encoded><![CDATA[<div></div>
<p><span style="font-size:small;font-family:Courier Final Draft;"></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><span> </span></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span><span style="text-decoration:none;"><strong></strong></span></span></p>
<p class="MsoNormal" style="margin:0;"> </p>
<p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;"> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><span><strong>Cin•e•ma•tog•ra•phy</strong> (sin’</span><span><span>c</span></span><span>.m</span><span><span>c</span></span><span>.tog’r</span><span><span>c</span></span><span>.fē)<em> n. </em><span> </span>The art and<span>                          </span>process of making motion pictures. </span><span><span> </span></span></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"> </p>
<p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;"><span>Moving images are inspiring narrative, sometimes powerful, sometimes emotive, sometimes still and sometimes drab, colourful and pleasing, grey and sober. They convey umpteen emotions rapidly changing and altering its form and carrying the audience with it to the desired destination or conclusion. It is a medium replete with challenges and numerous permutations and combinations to portray the images to convey the story. . .</span></p>
<div><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </p>
<p></span></span></span></div>
<p><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> TO READ MORE CLICK ON &#8216;CINEMATOGRAPHERS &amp; VISUAL AESTHETICS&#8217;</span></span></span></span></p>
<div><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </span></span></span></span></div>
<div><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </span></span></span></span></div>
<div><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </span></span></span></span></div>
<div><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </span></span></span></span></div>
<div><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </span></span></span></span></div>
<p><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"><span style="font-size:small;font-family:Courier Final Draft;"> </p>
<p></span></span></span> </p>
<p></span></span></p>
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		<item>
		<title>Commercial Shoot</title>
		<link>http://www.storyinframes.com/archives/2008/05/14/commercial-shoot-2/</link>
		<comments>http://www.storyinframes.com/archives/2008/05/14/commercial-shoot-2/#comments</comments>
		<pubDate>Wed, 14 May 2008 21:04:37 +0000</pubDate>
		<dc:creator>storyinframes</dc:creator>
				<category><![CDATA[cinematography]]></category>
		<category><![CDATA[Director of Photography]]></category>
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		<category><![CDATA[Visual aesthetics]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[direction]]></category>
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		<category><![CDATA[filmaking]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Personal]]></category>
		<category><![CDATA[Thoughts]]></category>

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		<description><![CDATA[<p class="MsoNormal" style="text-indent:36pt;text-align:center;margin:0;" align="center">“Commercial shoot – Thomex.com”</p> <p class="MsoNormal" style="text-indent:36pt;text-align:center;margin:0;" align="center"> </p> <p class="MsoNormal" style="text-indent:36pt;margin:0;"> </p> <p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;">It was around 1030 when my phone rang. I was in a deep stupor, courtesy my awkward working regimen. Ideally, I just reach out for the phone and put the ringer to silence. And this is done with ample [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="text-indent:36pt;text-align:center;margin:0;" align="center"><span><span style="font-size:small;">“Commercial shoot – Thomex.com”</span></span></p>
<p class="MsoNormal" style="text-indent:36pt;text-align:center;margin:0;" align="center"><span><span style="font-size:small;"> </span></span></p>
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<p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;"><span><span style="font-size:small;">It was around 1030 when my phone rang. I was in a deep stupor, courtesy my awkward working regimen. Ideally, I just reach out for the phone and put the ringer to silence. And this is done with ample dexterity by gently pressing the ‘red’ hang-up icon so as to put the ringer off but not to reject &#8230;</span></span></p>
<p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;"><span style="font-size:small;"><span><span style="font-size:small;"> </span></span></span></p>
<p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;"><span><span style="font-size:small;"><a href="http://thomex.com/businessmenloveit/index.aspx">http://thomex.com/businessmenloveit/index.aspx</a> </span></span></p>
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<p class="MsoNormal" style="text-indent:36pt;text-align:justify;margin:0;"><span><span style="font-size:small;"> TO READ MORE, CLICK ON &#8216;COMMERCIAL SHOOT&#8217; PAGE</span></span></p>
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